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Annie Get Your Gun

Betty Hutton, Judy Garland, ecc.. (Artista) Formato: Audio CD
4,6 4,6 su 5 stelle 29 voti
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CD audio, CD-ROM, 18 novembre 2000
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Descrizione prodotto

CD Originale, Nuovo e Sigillato Annie Get Your Gun - Colonna Sonora Originale (1950) Track listing: 1. Main Title - (previously unreleased) 2. Colonel Buffalo Bill - (previously unreleased) 3. Doin' What Comes Natur'lly 4. Girl That I Marry, The 5. You Can't Get a Man With a Gun 6. There's No Business Like Show Business 7. They Say It's Wonderful 8. They Say It's Wonderful (Reprise) 9. There's No Business Like Show Business (Reprise) 10. My Defenses Are Down 11. I'm an Indian, Too - (previously unreleased) 12. European Montage - (previously unreleased) 13. Let's Go West Again - (previously unreleased) 14. Girl That I Marry, The (Reprise) - (previously unreleased) 15. I've Got the Sun in the Morning 16. Together Again 17. Anything You Can Do 18. Finale / End Title 19. Colonel Buffalo Bill - (stereo) 20. Doin' What Comes Natur'lly 21. Girl That I Marry, The - (unused) 22. You Can't Get a Man With a Gun 23. There's No Business Like Show Business - (previously unreleased, stereo) 24. They Say It's Wonderful - (stereo) 25. They Say It's Wonderful (Reprise) - (previously unreleased) 26. I'm an Indian, Too 27. Let's Go West Again - (outtake) 28. Girl That I Marry, The (Reprise) 29. I've Got the Sun in the Morning 30. Anything You Can Do - (stereo) 31. There's No Business Like Show Business (Reprise) Contributing artists: Betty Hutton, Judy Garland Label : Turner Entertainment - Warner Music (2000) Barcode : 0081227666927

Dettagli prodotto

  • Fuori produzione ‏ : ‎ No
  • Dimensioni prodotto ‏ : ‎ 12,7 x 14,61 x 0,76 cm; 94,12 grammi
  • Produttore ‏ : ‎ Rhino (Edel)
  • Etichetta ‏ : ‎ Rhino (Edel)
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  • ASIN ‏ : ‎ B00004ZDYZ
  • Numero di dischi ‏ : ‎ 1
  • Recensioni dei clienti:
    4,6 4,6 su 5 stelle 29 voti

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4,6 su 5 stelle
4,6 su 5
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cゆりか
5,0 su 5 stelle 勇気付けられる曲ばかりです
Recensito in Giappone il 13 ottobre 2004
Acquisto verificato
この時代のミュージカル映画音楽には欠かせないコールポーター作曲の名曲がずらりと揃った、同作映画のサントラである。
テーマ曲にもなっているThere's No Business Like Show Businessは、後にこの曲をモチーフに同タイトルの映画が出来たほどの名曲である。ショウビジネスの少し切ない部分を描きながらも明るく楽しいメロディで、それでもどんな苦労もショウの喜びには代えられない、と誇りを持って歌う。他の曲も全て、逆境をものともしない視点から見た、希望に満ちた内容で非常に勇気付けられる。
この作品は、大スター・ジュディガーランドの降板によってベティハットンに主役のチャンスが訪れ、結果彼女の代表作となった。このCDにはジュディの歌うアウトテイク版も何曲も入っている。同じ曲なのに全く違った色になる、ベティの力強いマットな歌声とジュディの艶やかな歌声も対照的で面白い。
Una persona l'ha trovato utile
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Peter Shelley
5,0 su 5 stelle Anything You Can Do, real time
Recensito negli Stati Uniti il 14 agosto 2001
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Although considered by some to be the great Broadway musical, the controversy over the film version with Judy Garland being replaced by Betty Hutton and both vocals being available arguably adds a lot to the show's legacy, with two vocals of the same songs with practically the same arrangements and orchestrations. One may take umbrance at the accusations made against Garland in the producer's notes written by George Feltenstein, but the reasons for her replacement are here beside the point. Clearly the Garland vocals were thought to have some value, apart from being part of Garland's catalogue, otherwise they would have ended up being destroyed as were her production stills by MGM, Feltenstein advises. The value of Garland's vocals also goes against the myth that they were supposedly wretched.
What is obvious from the outset is that Garland is a better singer than Hutton, but in spite of Irving Berlin's fondness for Garland, one is still left with a doubt about her as Annie Oakley. It is said that besides her poor health, she was having trouble with characterisation, not helped by giving her Busby Berkelely as director. The shadow of Ethel Merman loomed largely over the role, something which added to Garland's well known insecurities, and in one sense Hutton's casting works better for the part. But as there are echoes of Merman in Hutton, so are there also echoes of Garland in Hutton, and Merman in Garland.
Naturally Hutton cannot compete with Garland on the ballads. Hutton is particularly bad on They Say It's Wonderful, which is left as the film's loveliest song, as Moonshine Lullaby and I Got Lost in his Arms were cut for the film. Garland here conveys a tenderness, with the trademark throb in her voice, which made her untouchable at MGM. Hutton's Let's Go West Again is passable but tellingly an outtake, and her faux breakdown in the reprise of The Girl That I Marry is evidence of the difference between performers - Hutton pushes her "vulnerabilty" whereas Garland waits and breaks on her last note, as if she will leave the camera to see her breakdown in her acting. In the livelier songs, Garland is also surprisingly better than Hutton. In Anything You Can Do, Garland is funnier, and even in I'm an Indian Too, which is thought of as Garland's weakest vocal, Hutton does not do better. There are a few touches that Hutton makes in Doin' What Comes Natur'lly, eg her hillbilly accent, her deliberate staccato phrasing, and her impression of "sister Sal" and her singing "off key" that Garland doesn't attempt, but this again can be attributed to Hutton's obviousness and Garland's reticent tactic. Apart from the Hutton/Garland tracks, it is good to hear Frank Morgan in the original recording of There's No Business Like Show Business, with Garland's counter vocal, and interesting to see how Howard Keel's The Girl That I Marry, the original unused and re-recorded with new arrangment, whilst his original My Defences are Down was kept.
Arthur Freed bought Annie Get Your Gun for Garland, envisioning it to be as landmark to her career as The Wizard of Oz and Meet Me in St Louis. Perhaps in better health and with a director more suited to her sensitivities, he may have been right, but it would have been a different Annie Oakley to Merman's, and certainly to Hutton's. Although Hutton had a success with the film, the legal blockage to it's continued screening, presumably by Berlin over his objections to Garland being replaced, did have an effect on her career. Perhaps one can see what happened to Garland as a kind of theatrical curse, for her removal from the film would ultimately lead to the end of her sustained film career, something which makes her vocals here doubly haunting.
11 persone l'hanno trovato utile
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koji kumi
5,0 su 5 stelle Buy it for the movie it could of been
Recensito negli Stati Uniti il 13 marzo 2005
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I bought this especially for the "missing " Garland soundtracks. And yes , anything Hutton sang, Judy sang better. It goes to prove that as a singer, Betty was a struggling artisan, croaking out the words badly at times. Whereas,when Judy the artist sings, you can feel every emotion and nuance that you would expect from a great artist.

Even though the movie version with Hutton isn't the greatest, it's still worthy of getting for your collection. Hutton's version adds a bit of zaniness to the character that neither Judy, or Ethel would want to attempt. With Garland the movie would have been entirely different, and knowing Judy's ability to rise to the occassion, it probably would have been better. After all,there is a reason why she has been known as the "world's greatest entertainer". Even in her outtakes that were supposed to be "so horrible", she seemed to have that performers ability to entertain. (I felt her outtakes were better than Hutton's finished performances.)

That being said, this soundtrack gives you an idea of what a Garland Annie could have been like. Its kind of fun to compare and contrast. Hutton did give her Annie a slapstick, comedic take that makes it fun to watch, and she did give it her all. Its amazing to hear the Garland naysayers, though. For one, Judy was always beautiful as an artist and as a person. Secondly, everyone has a favorite Judy Garland movie whether it be Oz, or Meet me in st louis, or Girl Crazy, or A Star is Born. Each of her characters were different and her co-stars and chemistry were different,yet each perfomance was done beautifully. I have to give the little lady the benefit of the doubt. I think Judy Garland would have been a terrific Annie Oakley.
4 persone l'hanno trovato utile
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A. Grossman
5,0 su 5 stelle Do What Comes Naturally
Recensito negli Stati Uniti il 16 marzo 2001
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How anyone cannot give this recording five stars is beyond belief. The DVD is one of the best available and this album is the same. Hutton is as good as Merman and as an extra you get to hear Judy Garland (totally wrong for the role)singing the same songs. Though some songs are missing (fortunately not for political reasons} a great bonus is the lost "Let's Go West Again" beautifully sung twice. Music like this doesn't need superior sound and Hutton - whom I never cared for - gives the performance of a lifetime both on CD and DVD. The best deal is to get this and the "new" Merman album, compare all three singers and make your choice which is the best. You just can't have too many versions of such wonderful music But stay away from the rewritten, reorchestrated "politically correct" version. The three missing songs are all prime Berlin, especially "Colonel Buffalo Bill" and "I'm A Bad, Bad Man." How the Berlin Estate could have sanctioned such a thing is beyond belief.
7 persone l'hanno trovato utile
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Maggie
4,0 su 5 stelle Annie Get Your Gun
Recensito negli Stati Uniti il 29 giugno 2013
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As Baby Boomers, we grew up on these kinds of classic musicals. Even though they are dated, corny and lack the technical advances in modern movie production, we still love the familiar lines, songs, dancing and humour.
By today's standards there are racist songs and lines but in the time it was written and produced we were still innocent in regards to all those issues.
Basically, good, clean fun, if a little corny.
Maggie
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